{"title":"Original Artwork","description":"","products":[{"product_id":"loon-passage","title":"Loon Passage","description":"\u003cp\u003eOOLOOSIE SAILA\u003c\/p\u003e\n\u003cp\u003eLoon Passage\u003cbr\u003eEtching \u0026amp; Chine Collé\u003cbr\u003e59.5 x 71.8 cm\u003cbr\u003eDorset ID# 23-13\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs a child, Ooloosie was inspired to draw through occasional visits to the home of Kenojuak Ashevak. At age 14 she won first prize at her high school drawing contest. She began selling her drawings to the Co-op in 2015 and continues to explore many diverse themes and ideas in her work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVarious forms of \u003c\/span\u003e\u003cstrong\u003eintaglio printing\u003c\/strong\u003e\u003cspan\u003e have also been part of the Kinngait Studios’ media, including copper engraving and etching. In etching, the impression is made by pushing the paper into inked depressions and recesses in a metal plate. First, an acid-resistant substance called a ground is applied to the surface of the plate. The artist then draws the image through the ground using an etching needle, and the plate is immersed in an acid bath which etches or “eats” into the drawn areas. In printing, the inked plate is laid face up on the flat bed of the etching press and dampened paper is placed on top. The paper is then covered by several layers of felt blankets and the complete sandwich of plate\/paper\/blankets is run through the press, compressing the felts and forcing the paper into the recesses of the etched plate. The paper pulls the ink out of the recesses and the impression is made. Aquatint is often used in conjunction with linear etching and engraving as a method of etching tonal areas onto the plate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe West Baffin Eskimo Co-operative in Cape Dorset has earned a worldwide reputation for the quality and originality of limited edition prints made by its member artists. Every year since 1959 the print making studios (now known as Kinngait Studios) have released an annual catalogued collection of between 30 and 60 images as well as numerous commissions and special releases.  Kinngait Studios is the longest continuous running print studio in Canada.\u003c\/p\u003e\n\u003cp\u003eAlthough the graphic abilities of many Inuit were recognized early on from incised ornaments and tools as well as appliqued garments and bags, very little works on paper were done prior to the inception of the print making program in the late 1950’s.\u003c\/p\u003e\n\u003cp\u003eMuch of the success of the formative years of printmaking in Cape Dorset can be attributed to James Houston, an artist from Toronto who left the cosmopolitan south with his wife Alma and their two young sons in 1952 and lived the better part of the next 10 years in Cape Dorset. Apparently James Houston was a heavy smoker and one day Oshweetok Ipeelie, a skilled hunter and carver of walrus tusks, picked up an empty cigarette package and remarked upon the supreme patience and skill of the man who drew with painstaking precision the identical image of a sailor on each and every pack. Houston tried to explain how multiple images are made and then began to demonstrate the fundamental principles of printmaking by rubbing soot over an incised walrus tusk. He then pressed a few sheets of toilet paper over the image and pulled a few simple prints whereupon Ipeelie amazed and delighted exclaimed, “We can do that.” Thus began a quest to find a genuine, indigenous and appropriate means of printmaking.\u003c\/p\u003e\n\u003cp\u003eAlthough several small editions of sealskin stencils were produced it was a cumbersome and limiting process. However it was discovered that the local carving stone used for sculpture was an ideal medium for relief printing and eventually the stone cut technique became the most common media of printmaking in Cape Dorset. Later on the technique of engraving was introduced and in the 1970’s the first litho press was set up. In recent times, stone cuts, etchings and lithographs have comprised the mediums of each collection thus allowing the artists a greater variety of expression.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Cape Dorset Fine Arts","offers":[{"title":"Default Title","offer_id":44711357218955,"sku":null,"price":800.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/8310\/3115\/files\/23-13.webp?v=1764177208"},{"product_id":"story-boots","title":"Sedna's Parade","description":"\u003cp\u003ePitsiulaq Qimirpik\u003c\/p\u003e\n\u003cp\u003eSEDNA’S PARADE, 2023\u003cbr\u003eLithograph\u003cbr\u003e38.3 x 55.2 cm\u003c\/p\u003e\n\u003cp\u003eDorset ID# 23-18\u003c\/p\u003e\n\u003cp\u003ePitsiulaq (Pitseolak) Qimirpik is a young Cape Dorset carver who’s quickly established himself as both apprentice (his father is renowned Dorset carver Kelly Qimirpik) and contemporary artist. Indeed, Qimirpik has successfully distinguished himself through this very juxtaposition, marrying pop-culture signifiers with traditional carving. He sits at the helm of a surging generation of Inuit artists who are reconfiguring their position onto history, traditional media, and narrative figuration. It’s a group who’s establishing itself through an aesthetic more easily situated in the contemporary artworld, while never fully divorced from its ancestral associations and formal base. Qimirpik, like so many of his contemporaries, continues to make the link between the two.\u003c\/p\u003e\n\u003cp\u003eFrom the age of thirteen, Qimirpik has established himself through an exceptional craftsmanship and an attention to contemporary signifiers. Producing figures like muskoxen, drum dancers, and dancing walruses, his works are often colored by their subjects’ props or profiles. They don iPods or MP3 Players (as in Young Man with MP3, 2010), the white of their devices’ matte cording cutting a stark contrast to veined marble. (The ironic value lies in this plastic veneer being made of bone). Rabbits dance to hip-hop. Walruses kick up their flippers with glee. Qimirpik is falling in step with his generation’s multivalence, its double-speak, and winking referentiality. He seeks form in Inuit history, but roots his subjects in the new.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLithography was introduced at the Kinngait Studios in the early 1970s. Unlike stonecut and etching, hand lithography requires no cutting of the printing surface. Instead, the design is simply drawn on a limestone block or aluminum plate with grease pencils or with a greasy liquid. The stone or plate is then inked with a grease-based ink while being continuously sponged with a thin film of water. The water repels the greasy ink, confining it to the area defined by the original drawing. Multi-colour prints usually require a separate stone or plate for each colour. In printing, the inked stone or plate, paper and tympan (protective covering) is cranked by hand through a press. Under tremendous pressure, the drawn image transfers to the paper. In recent years, several lithographs have included the application of chine collé. This technique involves pressing a thin sheet of sized, oriental paper to a heavier backing sheet and printing both at the same time, adding another dimension of colour and texture to the final image.\u003c\/p\u003e\n\u003cp\u003eThe West Baffin Eskimo Co-operative in Cape Dorset has earned a worldwide reputation for the quality and originality of limited edition prints made by its member artists. Every year since 1959 the print making studios (now known as Kinngait Studios) have released an annual catalogued collection of between 30 and 60 images as well as numerous commissions and special releases.  Kinngait Studios is the longest continuous running print studio in Canada.\u003c\/p\u003e\n\u003cp\u003eAlthough the graphic abilities of many Inuit were recognized early on from incised ornaments and tools as well as appliqued garments and bags, very little works on paper were done prior to the inception of the print making program in the late 1950’s.\u003c\/p\u003e\n\u003cp\u003eMuch of the success of the formative years of printmaking in Cape Dorset can be attributed to James Houston, an artist from Toronto who left the cosmopolitan south with his wife Alma and their two young sons in 1952 and lived the better part of the next 10 years in Cape Dorset. Apparently James Houston was a heavy smoker and one day Oshweetok Ipeelie, a skilled hunter and carver of walrus tusks, picked up an empty cigarette package and remarked upon the supreme patience and skill of the man who drew with painstaking precision the identical image of a sailor on each and every pack. Houston tried to explain how multiple images are made and then began to demonstrate the fundamental principles of printmaking by rubbing soot over an incised walrus tusk. He then pressed a few sheets of toilet paper over the image and pulled a few simple prints whereupon Ipeelie amazed and delighted exclaimed, “We can do that.” Thus began a quest to find a genuine, indigenous and appropriate means of printmaking.\u003c\/p\u003e\n\u003cp\u003eAlthough several small editions of sealskin stencils were produced it was a cumbersome and limiting process. However it was discovered that the local carving stone used for sculpture was an ideal medium for relief printing and eventually the stone cut technique became the most common media of printmaking in Cape Dorset. Later on the technique of engraving was introduced and in the 1970’s the first litho press was set up. In recent times, stone cuts, etchings and lithographs have comprised the mediums of each collection thus allowing the artists a greater variety of expression.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Cape Dorset Fine Arts","offers":[{"title":"Default Title","offer_id":44718821933195,"sku":null,"price":450.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/8310\/3115\/files\/23-18_356c8c85-66a0-4c37-8b77-3d195da362eb.webp?v=1764183150"},{"product_id":"story-boots-1","title":"Story Boots","description":"\u003cp\u003eShuvinai Ashoona\u003c\/p\u003e\n\u003cp\u003eStory Boots, 2012\u003cbr\u003eLithograph\u003cbr\u003e65 x 49.8 cm\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDorset ID# 12-27\u003c\/p\u003e\n\u003cp\u003eShuvinai was born in Cape Dorset in August, 1961. She is the daughter of Kiawak Ashoona and Sorosilutu, both well known for their contributions to the arts in Cape Dorset.\u003c\/p\u003e\n\u003cp\u003eShuvinai began drawing in 1996. She works with pen and ink, coloured pencils and oil sticks and her sensibility for the landscape around the community of Cape Dorset is particularly impressive. Her recent work is very personal and often meticulously detailed. Shuvinai’s work was first included in the Cape Dorset annual print collection in 1997 with two small dry-point etchings entitled Interior (97-33) and Settlement (97-34). Since then, she has become a committed and prolific graphic artist, working daily in the Kinngait Studios.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLithography was introduced at the Kinngait Studios in the early 1970s. Unlike stonecut and etching, hand lithography requires no cutting of the printing surface. Instead, the design is simply drawn on a limestone block or aluminum plate with grease pencils or with a greasy liquid. The stone or plate is then inked with a grease-based ink while being continuously sponged with a thin film of water. The water repels the greasy ink, confining it to the area defined by the original drawing. Multi-colour prints usually require a separate stone or plate for each colour. In printing, the inked stone or plate, paper and tympan (protective covering) is cranked by hand through a press. Under tremendous pressure, the drawn image transfers to the paper. In recent years, several lithographs have included the application of chine collé. This technique involves pressing a thin sheet of sized, oriental paper to a heavier backing sheet and printing both at the same time, adding another dimension of colour and texture to the final image.\u003c\/p\u003e\n\u003cp\u003eThe West Baffin Eskimo Co-operative in Cape Dorset has earned a worldwide reputation for the quality and originality of limited edition prints made by its member artists. Every year since 1959 the print making studios (now known as Kinngait Studios) have released an annual catalogued collection of between 30 and 60 images as well as numerous commissions and special releases.  Kinngait Studios is the longest continuous running print studio in Canada.\u003c\/p\u003e\n\u003cp\u003eAlthough the graphic abilities of many Inuit were recognized early on from incised ornaments and tools as well as appliqued garments and bags, very little works on paper were done prior to the inception of the print making program in the late 1950’s.\u003c\/p\u003e\n\u003cp\u003eMuch of the success of the formative years of printmaking in Cape Dorset can be attributed to James Houston, an artist from Toronto who left the cosmopolitan south with his wife Alma and their two young sons in 1952 and lived the better part of the next 10 years in Cape Dorset. Apparently James Houston was a heavy smoker and one day Oshweetok Ipeelie, a skilled hunter and carver of walrus tusks, picked up an empty cigarette package and remarked upon the supreme patience and skill of the man who drew with painstaking precision the identical image of a sailor on each and every pack. Houston tried to explain how multiple images are made and then began to demonstrate the fundamental principles of printmaking by rubbing soot over an incised walrus tusk. He then pressed a few sheets of toilet paper over the image and pulled a few simple prints whereupon Ipeelie amazed and delighted exclaimed, “We can do that.” Thus began a quest to find a genuine, indigenous and appropriate means of printmaking.\u003c\/p\u003e\n\u003cp\u003eAlthough several small editions of sealskin stencils were produced it was a cumbersome and limiting process. However it was discovered that the local carving stone used for sculpture was an ideal medium for relief printing and eventually the stone cut technique became the most common media of printmaking in Cape Dorset. Later on the technique of engraving was introduced and in the 1970’s the first litho press was set up. In recent times, stone cuts, etchings and lithographs have comprised the mediums of each collection thus allowing the artists a greater variety of expression.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Cape Dorset Fine Arts","offers":[{"title":"Default Title","offer_id":44719114977419,"sku":null,"price":700.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/8310\/3115\/files\/image.webp?v=1764183336"},{"product_id":"flowery-brown-cat-sculpture","title":"Flowery Brown Cat Sculpture","description":"\u003cp\u003eBear Won is the maker behind Bear Pawttery. Her ceramics are made for daily enjoyment. She tries to create pieces which are special, yet not too precious not to be touched. Her materials include Porcelain, stoneware and clay with hand carved and glazed finishes made with care and attention to detail.\u003c\/p\u003e","brand":"Bear Pawttery","offers":[{"title":"Default Title","offer_id":46374351569035,"sku":null,"price":290.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/8310\/3115\/files\/FloweryBrownCatSculpture-01.jpg?v=1774974539"},{"product_id":"whiskers-tea-time","title":"Whisker's Tea Time","description":"\u003cp\u003eIncludes Teapot and cup.\u003c\/p\u003e\n\u003cp\u003eBear Won is the maker behind Bear Pawttery. Her ceramics are made for daily enjoyment. She tries to create pieces which are special, yet not too precious not to be touched. Her materials include Porcelain, stoneware and clay with hand carved and glazed finishes made with care and attention to detail.\u003c\/p\u003e","brand":"Bear Pawttery","offers":[{"title":"Default Title","offer_id":46374356746379,"sku":null,"price":320.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/8310\/3115\/files\/Whisker_sTeaTime.jpg?v=1774974778"},{"product_id":"my-hot-drink-buddy","title":"My Hot Drink Buddy Cat-erpillar","description":"\u003cp\u003eThree piece set with honey stick and bamboo spoon.\u003c\/p\u003e\n\u003cp\u003eBear Won is the maker behind Bear Pawttery. Her ceramics are made for daily enjoyment. She tries to create pieces which are special, yet not too precious not to be touched. Her materials include Porcelain, stoneware and clay with hand carved and glazed finishes made with care and attention to detail.\u003c\/p\u003e","brand":"Bear Pawttery","offers":[{"title":"Default Title","offer_id":46374357794955,"sku":null,"price":290.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/8310\/3115\/files\/MyHotDrinkBuddyCat-erpillar-01.jpg?v=1774974855"},{"product_id":"pink-rabbit-small-teapot","title":"Pink Rabbit Small Teapot","description":"\u003cp\u003eBear Won is the maker behind Bear Pawttery. Her ceramics are made for daily enjoyment. She tries to create pieces which are special, yet not too precious not to be touched. Her materials include Porcelain, stoneware and clay with hand carved and glazed finishes made with care and attention to detail.\u003c\/p\u003e","brand":"Bear Pawttery","offers":[{"title":"Default Title","offer_id":46374359498891,"sku":null,"price":240.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/8310\/3115\/files\/PinkRabbitSmallTeapot.jpg?v=1774975111"},{"product_id":"bat-suit-cat-mug","title":"Bat Suit Cat Mug","description":"\u003cp\u003eBear Won is the maker behind Bear Pawttery. Her ceramics are made for daily enjoyment. She tries to create pieces which are special, yet not too precious not to be touched. Her materials include Porcelain, stoneware and clay with hand carved and glazed finishes made with care and attention to detail. * Not microwave or dishwasher safe*\u003c\/p\u003e","brand":"Bear Pawttery","offers":[{"title":"Default Title","offer_id":46374364479627,"sku":null,"price":170.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/8310\/3115\/files\/BatSuitCatMug.jpg?v=1774975469"},{"product_id":"penguin-soap-dispenser","title":"Penguin Soap Dispenser","description":"\u003cp\u003eBear Won is the maker behind Bear Pawttery. Her ceramics are made for daily enjoyment. She tries to create pieces which are special, yet not too precious not to be touched. Her materials include Porcelain, stoneware and clay with hand carved and glazed finishes made with care and attention to detail.\u003c\/p\u003e","brand":"Bear Pawttery","offers":[{"title":"Default Title","offer_id":46374365954187,"sku":null,"price":170.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/8310\/3115\/files\/PenguinSoapDispenser.jpg?v=1774975525"},{"product_id":"hedgehod-mug-flowy-pink","title":"Hedgehog Mug Flowy Pink","description":"\u003cp\u003eBear Won is the maker behind Bear Pawttery. Her ceramics are made for daily enjoyment. She tries to create pieces which are special, yet not too precious not to be touched. Her materials include Porcelain, stoneware and clay with hand carved and glazed finishes made with care and attention to detail.\u003c\/p\u003e","brand":"Bear Pawttery","offers":[{"title":"Default Title","offer_id":46374366806155,"sku":null,"price":150.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/8310\/3115\/files\/HedgehogMug_flowypink.jpg?v=1774975595"},{"product_id":"cat-vase-with-blue-top","title":"Cat Vase with Blue Top","description":"\u003cp\u003eBear Won is the maker behind Bear Pawttery. Her ceramics are made for daily enjoyment. She tries to create pieces which are special, yet not too precious not to be touched. Her materials include Porcelain, stoneware and clay with hand carved and glazed finishes made with care and attention to detail.\u003c\/p\u003e","brand":"Bear Pawttery","offers":[{"title":"Default Title","offer_id":46374371786891,"sku":null,"price":140.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/8310\/3115\/files\/CatVasewithbluetop_1fce4659-c64f-4c69-b588-e486370020bc.jpg?v=1774975654"},{"product_id":"panda-bud-vase","title":"Panda Bud Vase","description":"\u003cp\u003eBear Won is the maker behind Bear Pawttery. Her ceramics are made for daily enjoyment. She tries to create pieces which are special, yet not too precious not to be touched. Her materials include Porcelain, stoneware and clay with hand carved and glazed finishes made with care and attention to detail.\u003c\/p\u003e","brand":"Bear Pawttery","offers":[{"title":"Default Title","offer_id":46374371983499,"sku":null,"price":120.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/8310\/3115\/files\/PandaBudVase.jpg?v=1774975719"},{"product_id":"cat-small-cup-blue","title":"Cat Small Cup - Blue","description":"\u003cp\u003eBear Won is the maker behind Bear Pawttery. Her ceramics are made for daily enjoyment. She tries to create pieces which are special, yet not too precious not to be touched. Her materials include Porcelain, stoneware and clay with hand carved and glazed finishes made with care and attention to detail.\u003c\/p\u003e","brand":"Bear Pawttery","offers":[{"title":"Default Title","offer_id":46374376276107,"sku":null,"price":110.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/8310\/3115\/files\/CatSmallCup_Blue.jpg?v=1774975769"},{"product_id":"hedgehog-sipper-pear-green","title":"Hedgehog Sipper - Pear Green","description":"\u003cp\u003eBear Won is the maker behind Bear Pawttery. Her ceramics are made for daily enjoyment. She tries to create pieces which are special, yet not too precious not to be touched. Her materials include Porcelain, stoneware and clay with hand carved and glazed finishes made with care and attention to detail.\u003c\/p\u003e","brand":"Bear Pawttery","offers":[{"title":"Default Title","offer_id":46374377783435,"sku":null,"price":100.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/8310\/3115\/files\/HedgehogSipper_PearGreen.jpg?v=1774975815"},{"product_id":"bear-planter-and-tray","title":"Bear Planter and Tray","description":"\u003cp\u003eBear Won is the maker behind Bear Pawttery. Her ceramics are made for daily enjoyment. She tries to create pieces which are special, yet not too precious not to be touched. Her materials include Porcelain, stoneware and clay with hand carved and glazed finishes made with care and attention to detail.\u003c\/p\u003e","brand":"Bear Pawttery","offers":[{"title":"Default Title","offer_id":46374380896395,"sku":null,"price":100.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/8310\/3115\/files\/BearPlanterandtray-01.jpg?v=1774975875"},{"product_id":"saskatoon-berry-patcj","title":"Saskatoon Berry Patch","description":"\u003cp\u003eErin Pell is a glass artist based in Saskatoon Saskatchewan. She has over two decades of experience working with hot glass and has collaborated with numerous galleries and gift shops throughout Canada over the years. She has always felt a deep connection with nature and it's balance between resilience and fragility.  Her work is inspired by this connection, especially to the wild determined ones that seem to grow in the most challenging conditions and the strong bond and associations we have with them.  She doesn't attempt to make exact replicas of nature but reflect the feel and emotion of each plant.\u003c\/p\u003e\n\u003cp\u003eThe technique she employs is known as lampworking. It entails melting and sculpting glass rods in the flame of a propane and oxygen torch. She crafts each piece without the use of molds or presses, relying solely on a few hand tools like shears and tweezers. This approach ensures that every piece possesses a distinctively organic feel, making each one unique.\u003c\/p\u003e","brand":"Erin Pell","offers":[{"title":"Default Title","offer_id":46820171579531,"sku":null,"price":390.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/8310\/3115\/files\/Image_78_8f25bb64-9486-4b6a-bd63-8cd1bd773c2d.jpg?v=1777408806"},{"product_id":"triple-crocus-purple","title":"Triple Crocus Purple","description":"\u003cp\u003eErin Pell is a glass artist based in Saskatoon Saskatchewan. She has over two decades of experience working with hot glass and has collaborated with numerous galleries and gift shops throughout Canada over the years. She has always felt a deep connection with nature and it's balance between resilience and fragility.  Her work is inspired by this connection, especially to the wild determined ones that seem to grow in the most challenging conditions and the strong bond and associations we have with them.  She doesn't attempt to make exact replicas of nature but reflect the feel and emotion of each plant.\u003c\/p\u003e\n\u003cp\u003eThe technique she employs is known as lampworking. It entails melting and sculpting glass rods in the flame of a propane and oxygen torch. She crafts each piece without the use of molds or presses, relying solely on a few hand tools like shears and tweezers. This approach ensures that every piece possesses a distinctively organic feel, making each one unique.\u003c\/p\u003e","brand":"Erin Pell","offers":[{"title":"Default Title","offer_id":46820178624651,"sku":null,"price":126.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0595\/8310\/3115\/files\/ChatGPTImageApr28_2026_02_55_03PM.png?v=1777410088"}],"url":"https:\/\/shop.remaimodern.org\/en-us\/collections\/original-artwork.oembed?page=2","provider":"Remai Modern","version":"1.0","type":"link"}